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PSC Solice Audio Mixer - Film and Video Production Mixing Panel

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  • Purpose-Built for Film and Video Work
  • Lightweight & Power Efficient
  • 8 Output Busses, 4 Headphone Outputs
  • Laser Cut Aircraft Aluminum Housing
  • Operates On External 10 to 18 VDC
  • Made in the USA

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The PSC Solice is a portable audio mixer that was designed to provide extensive signal routing and flexible mixing capabilities for field work in film and video production. It provides optimum audio performance, a wealth of output busses and headphone mixes, and a very power efficient battery operability at a much lighter weight than digital mixing consoles. There are many benefits to using a purpose-built analog mixing panel like the Solice, especially with the unique and unusual demands made on equipment in the field in film and video field production.

With its 8 inputs, the Solice will cover you on a film set where you have numerous wireless microphones in use, multiple boompole operators roving around, and more audio feeds coming from more sources. With its 8 outputs, you can select and route individual mixes of that audio to several recording devices, multiple video cameras, communication devices, and give a feed to the "video village" (an area dedicated to reviewing footage being shot). The Solice features two dedicated boompole operator headphone outputs, and a dedicated "Director" headphone output. A "private line" function enables you to privately communicate with your boom-ops with the built-in talkback microphone, without sending your chatter to the director's headphone mix of the production audio.

Panel mixers like the PSC Solice are most often used on audio carts, like the PSC SC-4. While there are other run-of-the-mill mixers that can be adapted to perform some of the functions of the Solice, none of them can do so at such a lightweight and small footprint. Power consumption is another factor to consider. Digital mixers demand up to three times as much voltage as the Solice, and their intended use as AC devices also require that you cart around bulky inverters everywhere you go.

Its audio performance is of the highest quality possible in this kind of equipment. The Penny & Giles faders and all its other parts and components are the best quality available. In an industry where you work side by side with visually focused professionals, the Solice is easy on the eyes with its powder-coated royal blue aluminum side panels, illuminated buttons, and an army of daylight viewable LED meters.

  • Super quiet pre-amps with fully variable gain and precise limiters
  • Infinitely variable high pass filters
  • 8 input channels with mic power, parametric EQ, pre-fade listens
  • All channel assignments can be assigned pre-fader or post fader
  • Individual line outputs on every input channel, pre or post fader assignable
  • Individual channel meters for both pre and post fader signal levels
  • 8 mix busses for extreme versatility
  • 8 balanced outputs on full size XLR's and also on a multi-pin
  • Sunlight readable LED PPM metering on all 8 outputs
  • Slate microphone
  • Remote roll
  • Private Line - provides one way communication to 2 boom operators
  • Comm - provides full duplex communication to 2 boom operators
  • Speaker output follows mixer headphone selection for playback jobs
  • Balanced outputs available on a multi-Pin connector
  • Operates from external 10 to 18 VDC
  • Built using only the finest components including, P&G faders, NKK sealed switches, Neutrik connectors
  • Housing formed from 0.100" (2.5 mm) laser cut aircraft aluminum
  • Eight direct line outputs to a multi-track recorder and a stereo submix on outputs 1 & 2 for dailies
  • Eight direct line outputs to a multi-track recorder and four stereo mixes to feed four video cameras
  • Eight direct line outputs to a multi-track recorder and Two 4 Track mixes to feed two RED cameras
  • Eight direct line outputs to a multi-track, one stereo sub mix for dailies and stereo mixes for up to 3 cameras
  • The main XLR balanced outputs are repeated on a multi-pin connector for your convenience  

Additional Info

Additional Info

Brand PSC
Name PSC Solice Audio Mixer - Film and Video Production Mixing Panel
Total # Of Inputs 8
Mic/Line Inputs 8
Stereo Line Inputs 1 x 1/4" TRS (Dedicated iPod Input)
BUS (Group) Outputs 8 Mixing Busses
2 Trk Master I/O 8 Freely Assignable XLR Outputs
ALT I/O iPod Input
Multiple Headphone & Speaker Feeds (see Monitor Outputs section)
8 Output Busses on Balanced XLR and 1/4" TRS
1 x DB-37 Female Connector (provides a parallel set of the eight main balanced outputs, eight tape returns, and various DC voltages for powering auxiliary equipment)
Monitor Outputs 4 x Stereo 1/4" Headphone Outputs (2 for Boom Operators, 1 for Director, 1 for Mixer Operator), Each with Source Selection & Volume Knob
1 x 1/4" Speaker Output with Volume Knob
EQ Section 8 x Parametric EQ & Infinitely Variable High Pass Filters
Solo/Mute PFL Switches
Channel Level Control Faders
Trim/Gain Control Rotary Knobs
Phantom Power Yes, +48V and T-Power
Metering LED, Peak Reading, Multi-Colored
Frequency Response 20 Hz - 20 kHz (+/- 0.5 dB)
Signal-to-Noise Ratio 130 dB EIN
Crosstalk >75 dB @ 1 kHz, via assignments
Total Harmonic Distortion (THD) 0.025% THD, typical
Operating Temperature -20 F to +120 F, -7 C to +49 C
Power Supply External Power: 10 to 18 Vdc, approx 13 to 20 watts

External power is applied to the Solice mixer via the 4 pin male external power connector located on the rear panel of the mixer. The Solice typically consumes approximately 13.8 watts (1 amp @ 13.8Vdc).

Dimensions 16.5 x 16 x 3" (42 x 41 x 7.6 cm)
Weight 15 lbs (6.8 kg)
PSC Solice Audio Mixer - Film and Video Production Mixing Panel
  • Solid Aluminum Dust Cover
  • 1 Year Warranty


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